Vive Le Confort! For Corseted Courtiers, This Dress Was A French Revolution
In Paris, a really old dress has sold for more than $150,000. Now, if that sounds like an unreasonably high price tag, keep this in mind: The 1730s dress is in mint condition, it might have been worn at Versailles, and it was part of a fashion revolution.
Known as a robe volante — or flying dress — the long, luscious yellow brocade gown is patterned with silver thread. It's loose-cut, with soft pleats in the rear, a deep V in front and graceful flow-y sleeves.
It was purchased by Palais Galliera, a fashion museum in Paris. Curator Pascale Gorguet-Ballesteros says the robe volante is historically significant — for France and for fashion as a whole.
Before the sale, an auction house in Lyon sent textile expert Raphael Maravelle Utan to Paris by train to show the dress to prospective clients.
"He brought it in a specially designed suitcase," says historian Joan de Jean, author of The Age of Comfort.
While en route, a bid arrived by text — for over a 100,000 euros more than he expected. Utan held the suitcase closer, made his rounds in Paris, and went back to Lyon.
'Everyone Just Wants To Be Comfortable'
In Louis XIV's court, you had to dress in a certain way, de Jean explains: "You want to look formal, you want to look rich, you want to look powerful, you want to look impressive," she says. "That's what the court's about."
For women, that meant luxurious fabric and tiny waistlines enforced by stiff, tight bodices. Courtiers had to be as formal and magnificent as possible.
"Court dress was obligatory," says de Jean. "[Louis XIV's] idea was to have a look of the French court — that they were to look all the same. All formal, [so that] when his court was gathered around him, there would be this uniform style."
In court, stylish women did a lot of standing around — all the bindings made it too hard to sit. But by the end of the 17th century, the formality began to wear thin and the magnificence became a burden.
"No one in France wants to get dressed up anymore," de Jean explains. "Everyone just wants to be comfortable."
And so a fashion revolution was born: Down with the corsets and cages! Up with the robe volante! Full and comfy, in fancy fabrics or simple cottons, everyone could wear it — and they did. The "revolutionaries" were young women of the court, merchants and dressmakers; the robe became a social leveler. Visitors arriving in Paris found they couldn't tell who was who, de Jean says.
Women could move differently. They could sit and lounge, cross their legs — even show a bit of leg. Painters started fixating on ankles and shins, showing the leg as "an object of desire," says de Jean.
All this, from a new style of clothing!
An exquisite example of that revolution is now at the Palais Galliera in Paris. There, it stands as a beacon of change and progress. Textile specialist Marie-Noëlle Sudre says that when you see it from across the museum, it's like looking at the sun.
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