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Behind the scenes at NPR HQ

Steve Inskeep and Ari Shapiro in the studio
Claire Murashima
Steve Inskeep and Ari Shapiro in the studio

My current job as a production assistant on Morning Edition and Up First is my first non-temp job in journalism, and having the option to go to an office is something novel and fun for me, since I started my career amid the pandemic. I often choose to come to NPR HQ, even though some of my shifts are remote-friendly.

I've decked out my cubicle with a pink rug, twinkly lights and multiple lamps, and have been enjoying experiencing some of the fun quirks of the physical space where NPR operates. I've been greeted with a "good morning" at 10:45 p.m. as the overnight editor was starting her workday. I've had multiple "bathroom moments" – a driveway moment that happens in the bathroom, since NPR shows play in the bathrooms of HQ.

Beyond the spaces, the people are the most unique part of NPR. Here are some of them in their favorite spots around HQ:

The coffee machine near the Morning Edition area

Lilly Quiroz, Associate Producer, Morning Edition & Up First: "The coffee machine next to Morning Edition is the best one because we have added options like a latte or shots of espresso. Or you can do a 'milk boost' with a teabag of chai to make a chai latte. You'll have to fact-check this, but I think Rachel Martin said that she loves the coffee here."

Rachel Martin, NPR Host: "It is TRUE. It's legit good. When it was time for us to get back into the office after all of the lockdowns, the thing that got me there was the coffee."

Lilly Quiroz makes herself a cup of coffee.
/ Claire Murashima
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Claire Murashima
Lilly Quiroz makes herself a cup of coffee.

Bike room

Adam Bearne, Editor, Morning Edition: This is NPR's bike room and it's the best room in the building because its existence means I don't have to bring my bike up the stairs or elevator like I did at my old job."

Adam Bearne stores his bike in the bike room.
/ Claire Murashima
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Claire Murashima
Adam Bearne stores his bike in the bike room.

Historical entrance of HQ

Jacob Conrad, Senior Editor, Morning Edition: "This building was built in 1927, only twelve years after the first coast-to-coast telephone call in the United States. It was built as a maintenance facility for Chesapeake and Potomac Telephone Company."

Jacob Conrad points to a sign over the historical entrance of the building that reads "Former Chesapeake & Potomac Telephone Company."
/ Claire Murashima
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Claire Murashima
Jacob Conrad points to a sign over the historical entrance of the building that reads "Former Chesapeake & Potomac Telephone Company."

Studio 36 Control Room

Karan Chaudhary, Intern, Morning Edition and Content Ops: "This is where I've felt on top of my game, and also at my lowest. My first piece was recorded right there on Mic 2. I'm 7,800 miles away from home, but this feels like home."

Karan Chaudhary works the controls in Studio 36.
/ Claire Murashima
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Claire Murashima
Karan Chaudhary works the controls in Studio 36.

Studio 36, behind the glass

In March, Steve Inskeep interviewed Ari Shapiro about his new book.

Steve Inskeep, Host, Morning Edition and Up First: "We're in Studio 36, where Morning Edition does a lot of its production. I went years without talking to anybody in here because of the pandemic, and the first guest who came back to talk to me face-to-face was Nina Totenberg."

Ari Shapiro, Host, All Things Considered and Consider This: "I was her intern twenty-plus years ago!"

The blue wall

Miranda Kennedy, Senior Supervising Editor, Morning Edition: "We're standing in front of the blue wall, which has been featured in many NPR portraits because the light is great from this wall of windows. The view from the windows isn't great. But it's not about the view."

Kelley Dickens (Supervising Editor, <em>Morning Edition</em>) and Miranda Kennedy pose for a photo in front of the blue wall.
/ Claire Murashima
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Claire Murashima
Kelley Dickens (Supervising Editor, Morning Edition) and Miranda Kennedy pose for a photo in front of the blue wall.

Studio 31 control room: The director's side

Milton Guevara, Associate Producer & Director, Morning Edition: "This is where I direct Morning Edition. Being a director is like conducting an orchestra. I get to cue the hosts, the pieces and all the music."

Milton Guevara in the Studio 31 control room
/ Claire Murashima
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Claire Murashima
Milton Guevara in the Studio 31 control room

Studio 31 control room: The technical side

Hans Copeland, Technical Director: "A fun fact is that there are 450 buttons on the board! I counted them."

Hans Copeland at the controls for Studio 31
/ Claire Murashima
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Claire Murashima
Hans Copeland at the controls for Studio 31

The microphones all over the building

Audio engineer Neil Tevault estimates that there are one hundred Neumann U87 mics in this building. There are also about 15 mics at NPR West in Culver City, and about 5 at NPR NY, and we've had most of them for decades!

Neil Tevault, Audio Engineer: "I think the last time we bought any of them was before we moved into this HQ building, so somewhere between 2011 and 2012. We started with them in the early 80s, and the mics we bought back then are mostly still in use. Our largest purchase of these mics happened in the early 90s when we were designing our studios at our 635 Mass Ave building. So from experience, we can say that yes, they are expensive, but they're built really well and don't need to be replaced often."

A closeup of one of NPR's Neumann U87 microphones
/ Claire Murashima
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Claire Murashima
A closeup of one of NPR's Neumann U87 microphones

Bob Boilen's working desk, a.k.a. the Tiny Desk

Josh Rogosin, Audio Engineer/Producer, Tiny Desk Concerts: "Just so you know, the Tiny Desk is a working desk. Bob Boilen is actually at it as we speak. This is what it's like when there's no Tiny Desk concert happening. It's Bob at his desk, and me, being annoying."

Bob Boilen (Host, <em>All Songs Considered</em>) works at his desk while Josh Rogosin sets up equipment in the background.
/ Claire Murashima
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Claire Murashima
Bob Boilen (Host, All Songs Considered) works at his desk while Josh Rogosin sets up equipment in the background.

Tiny Desk storage closet

Around the corner from the Tiny Desk, there's a tiny closet where equipment is stored.

Josh Rogosin: "It's a tight space. I just kind of stack things because there's a lot of stuff, especially when the equipment is no longer behind the desk. This room fills up pretty quick."

Josh Rogosin surveys the storage closet full of musical instruments, amps and other equipment.
/ Claire Murashima
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Claire Murashima
Josh Rogosin surveys the storage closet full of musical instruments, amps and other equipment.

Sixth floor ping pong table

Susannah Broun, Intern, TED Radio Hour and How I Built This: "It's a great way to break up the workday."

Kenny Malone (Co-host, <em>Planet Money</em>) and Susannah Broun play a mid-afternoon ping pong match.
/ Claire Murashima
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Claire Murashima
Kenny Malone (Co-host, Planet Money) and Susannah Broun play a mid-afternoon ping pong match.

The quiet room

Kaity Kline, Assistant Producer, Morning Edition and Up First: "You sip your Red Bull. You take a little nap for 30 minutes."

Kaity Kline relaxes in a quiet room.
/ Claire Murashima
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Claire Murashima
Kaity Kline relaxes in a quiet room.

Fourth floor terrace

Jonas Adams, Director, All Things Considered: "When it's sunny and nice out, this is where I eat lunch. It's where I chill. There's a nice view of the NPR sign."

Jonas Adams on the terrace
/ Claire Murashima
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Claire Murashima
Jonas Adams on the terrace

Shot glass wall in Studio 42

When staff get back from faraway assignments, they'll sometimes bring back a shot glass to place in the wall of NPR's Studio 42. The tradition was already underway when audio engineer Neil Tevault started at NPR in 1996.

Neil Tevault, Audio Engineer: "It started in our old studio 4B at 635 Mass Ave. When we would travel and do remote recordings for the classical music show called Performance Today, one of the traditions we had was to buy a shot glass and bring it back and put it in the diffuser wall. It's sort of geographically representative of a map of the United States. We actually got a consultation from an acoustician that said that shot glasses in diffuser walls are just fine for acoustics."

Neil Tevault and Valentina Rodríguez Sánchez point to shot glasses in the diffuser wall.
/ Claire Murashima
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Claire Murashima
Neil Tevault and Valentina Rodríguez Sánchez point to shot glasses in the diffuser wall.

The view of the construction site next door

Graham Rebhun, Software Engineer: "I love the corner of the building by the little pit outside. They're doing construction next door and we colloquially call it 'the pit' because it used to literally be a giant hole in the ground, but it has since become a building. We even have a Slack channel where people can keep up with what's going on and what the building looks like at any given moment."

Graham Rebhun looks out the windows at the former pit.
/ Claire Murashima
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Claire Murashima
Graham Rebhun looks out the windows at the former pit.

The beehives, "All Stings Considered" and "Swarming Edition"

Devon Williams, Associate Project Manager, Event Operations: "We are on the seventh floor, the top floor at headquarters. And we are overlooking our NPR beehives down here."

Devon Williams looks at the beehives, which are visible inside the heart illustration.
/ Claire Murashima
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Claire Murashima
Devon Williams looks at the beehives, which are visible inside the heart illustration.

Sounds Bites Café

My favorite part of HQ is Sound Bites Café, where I get breakfast and lunch when I'm at HQ. The food is so affordable. Four dollars for scrambled eggs with cheese and a side of potatoes? In this economy? Unheard of.

Each of these locations is just one part of the NPR HQ building, but all together, they make up an office that is completely unique, just like the staff who work there.

J.C. Howard (Producer, <em>How I Built This</em>) and Claire Murashima in Sound Bites Café, which serves breakfast and lunch on weekdays.
/ Claire Murashima
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Claire Murashima
J.C. Howard (Producer, How I Built This) and Claire Murashima in Sound Bites Café, which serves breakfast and lunch on weekdays.

See the full reel here.

This story was edited by Kelsey Page.

Copyright 2023 NPR. To see more, visit https://www.npr.org.

Claire Murashima
Claire Murashima is a production assistant on Morning Edition and Up First. Before that, she worked on How I Built This, NPR's Team Atlas and Michigan Radio. She graduated from Calvin University.