Jason Sheehan

The Damocles threat Fonda Lee has let dangle over this entire series is that no one in these pages is ever safe — the world she has created is dangerous and everyone in it has a place where they end.

What appears to be a simple, awful police killing turns out to be much worse in Cadwell Turnbull's new No Gods, No Monsters, set in a world where monsters and magic are real, and none of it is pretty.

This year's Summer Poll is all about the past decade in science fiction and fantasy, so we asked critic Jason Sheehan to come up with his own list of the new sci-fi that's blowing his mind.

The Mass Effect series is known almost as much for its storytelling as its actual gameplay — as the series is rereleased in an omnibus Legendary edition, we look at what makes it so literary.

Video games can offer immense, immersive open worlds — but for some players, the small-scale grinding repetition of the games known as "roguelikes" is a better way to pass the time.

The pseudonymous Reed King's new novel is a loopy, violent, funny Technicolor road trip across a post-apocalyptic America. There are robots, talking goats, and even the occasional lone songbird.

Elvia Wilk's new novel follows a group of aimless young people in Berlin, working, going out, coming home — until something happens that brings about a cataclysm. But is the aimlessness intentional?

Salvatore Scibona's new novel is a generational saga, an epic of Vietnam and other places rendered in language that makes even simple things sound mythic. But first, a boy is abandoned at an airport.

Our occasional series about storytelling returns with a look at Red Dead Redemption 2, which inverts one of the biggest tropes in video games — the Power Curve. There's no leveling up here.