Jason Sheehan

Blake Crouch spins out grounded, accessible tales with an admirable internal precision no matter the genre. His newest, Upgrade, is no different.

The Damocles threat Fonda Lee has let dangle over this entire series is that no one in these pages is ever safe — the world she has created is dangerous and everyone in it has a place where they end.

What appears to be a simple, awful police killing turns out to be much worse in Cadwell Turnbull's new No Gods, No Monsters, set in a world where monsters and magic are real, and none of it is pretty.

This year's Summer Poll is all about the past decade in science fiction and fantasy, so we asked critic Jason Sheehan to come up with his own list of the new sci-fi that's blowing his mind.

The Mass Effect series is known almost as much for its storytelling as its actual gameplay — as the series is rereleased in an omnibus Legendary edition, we look at what makes it so literary.

Video games can offer immense, immersive open worlds — but for some players, the small-scale grinding repetition of the games known as "roguelikes" is a better way to pass the time.

In her new novel, Samanta Schweblin gives everyone in the world a little critter that's basically a Furby with a webcam — naturally, this does not end well, for the owners, the devices, or anyone.

Ken Liu is an acclaimed author, translator and poet who's won multiple awards for his short fiction. But his new collection doesn't come together — some stories are gorgeous, while others fall flat.

Gibson's new novel is a sequel to 2014's The Peripheral, jumping back and forth in time as investigators, military contractors and killers chase down a rogue AI, and tensions flare in the Middle East.