Jewly Hight
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Private, isolating thoughts have always been central in Sophie Allison's songs, but Sometimes, Forever breaks new ground, using the studio to blow those feelings up to arresting scale.
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A songwriter with a rural Kentucky zip code and a philosophy degree, Goodman has thoughts to spare on small-town life, bottled trauma and the ways that both are misunderstood.
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Alongside her daughter Wynonna, Naomi Judd, who died on April 30, willed one of the most riveting acts in country music into being through persistence and sacrifice.
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Raitt says she has long admired artists who continued to stretch well into their careers. On her latest album, she does the same, acknowledging the passage of time without surrendering to nostalgia.
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Both artists could have used their new albums to make good on their pop crossover potential. Instead, they managed to reaffirm their ties to their genres of origin without sacrificing creative growth.
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Black women leveraged the power of streaming platforms and social media to bridge the chasms previously carved by labels, publishers and radio.
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The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.
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Madi Diaz had much to process leading up to her new album, History of a Feeling: moving home to Nashville from L.A., reestablishing herself as a solo artist and splitting from her partner.
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On Torres' Thirstier, Mackenzie Scott contends with pop music's tropes and techniques to wrestle with the high stakes of a long-term relationship: "This is about the love of my life."
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This fall, the bluegrass supergroup Sister Sadie became the first all-female band ever to win the top prize at the International Bluegrass Music Association awards.