Jewly Hight
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Two years ago, Allison Russell's breakthrough album took the roots music world by storm. Now nominated for the genre's highest honor, Russell has a new goal: to open Americana up even more. -
On Left Hand, Mancari positions themselves in the eye of sonic storms to communicate emotional truths with startling clarity.
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In the mid-2000s, Be Your Own Pet's frenetic punk sneered at the trappings of adulthood. The group returns after a 15-year hiatus with Mommy, an album that builds on its oppositional beginnings.
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In Oladokun's new songs, facets of who she is and what she's lived, seen and imagined provide entry points to her homey pop music.
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Mya Byrne loved country music since her childhood in New Jersey. But it took years of searching and traveling to lead to the place where she could make her new album, Rhinestone Tomboy.
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On the duo's latest album, its first full-length released on a major country label, Tanya and Michael Trotter Jr. sing piano-driven originals with a grown-up sense of devotion.
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Due to a new Tennessee law limiting drag performances, many drag artists, as well as trans, nonbinary and gender-nonconforming musicians, worry about their prospects in Nashville and beyond.
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In his vintage Stetson, the Texas troubadour performed a set of songs that find new meaning in familiar country, folk and blues forms.
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On White Trash Revelry, Adeem worked to understand their white, Southern, working-class, pansexual, nonbinary country songwriting identity — and they have some pretty great jokes about it.
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Rose's early records mixed country, pop and indie rock — a rare approach at the time. Now, she's released her lustrous new record, CAZIMI, into the musical landscape that she helped shape.
