Community Calendar

Embrace the seasonal changes with leaves, mushrooms, seed pods, flowers, weeds, and more in a watercolor workshop led by artist Christy Lemp. Learn to do creative washes and textures with watercolors, and embellish with walnut ink and touches of gold.

All supplies provided. Feel free to bring any favorite brushes and nature finds as mentioned above. This program will take place on the Museum grounds. In the event of rain, it will take place inside the Carriage House Theater.

$50 General Admission, $45 Museum Members. Reservations are required as space is limited. A scholarship is available for a current art student enrolled in a local high school or college to attend this workshop at no cost.

Set in the layered world of Najee Dorsey’s Poor People’s Campaign is a powerful collection of work grounded in the environmental struggles of today’s impoverished communities. Blending Southern nostalgia with digitally collaged speculative futures, Dorsey’s work unveils a future shaped by environmental racism, industrial pollution, and the resilience of those who endure these atrocities. This exhibition challenges viewers to confront what’s hidden in plain sight—smokestacks on the horizon, decaying landscapes, and children at play in dystopian backdrops, unaware, just going about their lives.

Each candid portrayal of a child, each scar of environmental injustice plaguing the earth, is a symbol of ongoing corporate greed, and a masterful fusion of futures transforming the landscape into an intimate battleground. Through these works, Dorsey challenges us to consider the true cost of progress and unchecked power.

CORRESPONDENCE

The Photo-Based Work of Mona Jimenez and Gina Murtagh
September 12 – October 4 at The Other Side Gallery, 2011 Genesee St., Utica, NY
Opening Reception – Friday, September 12, 5-7 p.m.
Artist Talk – Saturday, October 4 at 1 p.m.
Regular gallery hours – Thursdays and Saturdays from 12-2 p.m.
Show is open and free to the public. Donations are appreciated. For information on this exhibit, contact Rainer Wehner at 315-395-5235 or rainermariawehner @web.de. For information on other programs at The Other Side, see the events calendar at theothersideutica.org.

Show Statement:
"Like many artists who have come to New Mexico, I was immediately drawn to the distinctive Southwestern light. The beauty of the natural environment is evident to most people; however, my interest was to explore the more banal peripheral landscapes that often go unnoticed by the casual observer. I began by photographing color fields and geometric shapes. I was interested in the way light and shadow could spark complex narratives, and I quickly became aware that these isolated moments in the suburban landscape were rich with metaphor. Closed and open doors, empty parking lots and forgotten swimming pools drew me to a scene; yet it was my reactions to these objects and spaces that elicited interpretation and projection.

"As a psychotherapist, I learned the art of asking the question – in many ways, these photographs are an extension of that work. The symbols and spaces in my images are an invitation to explore a rich world that is concealed from consciousness. And the scenes are an enticement to contemplate narratives that have no remarkable life or history yet tap into something deeply familiar to our experience; often disturbing, sometimes amusing…unquestionably present."

September 1-30, 2025 Cazenovia Artisans 39 Albany Street
Cazenovia Artist Reception: September 5 from 5-7 p.m.

Aquatint is a printmaking technique that produces tonal effects by using acid to etch into the printing plate, creating sunken areas that hold the ink.

“Sometimes new art forms fall right into your lap. I learned intaglio techniques, including etching and aquatinting, while working at Hamilton College. Hired as an assistant in the printmaking studio, I soon realized what a fun challenge it would be to delve into this somewhat antiquated artform, mixing science with art. Over the next four years, I invested in my own printmaking studio - learning with each accident, mistake and oops. The thrill of etching is pulling the first print to see if all those layers, lines and tones come together at long last.”

Set in the layered world of Najee Dorsey’s Poor People’s Campaign is a powerful collection of work grounded in the environmental struggles of today’s impoverished communities. Blending Southern nostalgia with digitally collaged speculative futures, Dorsey’s work unveils a future shaped by environmental racism, industrial pollution, and the resilience of those who endure these atrocities. This exhibition challenges viewers to confront what’s hidden in plain sight—smokestacks on the horizon, decaying landscapes, and children at play in dystopian backdrops, unaware, just going about their lives.

Each candid portrayal of a child, each scar of environmental injustice plaguing the earth, is a symbol of ongoing corporate greed, and a masterful fusion of futures transforming the landscape into an intimate battleground. Through these works, Dorsey challenges us to consider the true cost of progress and unchecked power.

Hamilton College’s Wellin Museum of Art presents the exhibition, Jamea Richmond-Edwards: Another World and Yet the Same, from September 13, 2025, through June 14, 2026, showcasing the artist’s interdisciplinary work in video, collage, and painting. An opening reception will be held on Saturday, Sept. 13, from 4 to 6 p.m. and is free and open to the public.

About the Artist
Jamea Richmond-Edwards (b. 1982, Detroit) earned a BA from Jackson State University (2004) and an MFA from Howard University (2012). Her work has been included in exhibitions at the Brooklyn Museum, California African American Museum (Los Angeles), Charles Wright Museum (Detroit), Delaware Art Museum (Wilmington), Frist Art Museum (Nashville), Museum of Contemporary Art North Miami, Museum of Fine Arts Houston, and the Phillips Collection (Washington, DC). She is a 2018 recipient of the Joan Mitchell Foundation Painters & Sculptors Grant, and her works are included in the collections of the Rubell Family Collection, the Studio Museum in Harlem, and the U.S. Department of State’s Art in Embassies program.

Show Statement:
"Like many artists who have come to New Mexico, I was immediately drawn to the distinctive Southwestern light. The beauty of the natural environment is evident to most people; however, my interest was to explore the more banal peripheral landscapes that often go unnoticed by the casual observer. I began by photographing color fields and geometric shapes. I was interested in the way light and shadow could spark complex narratives, and I quickly became aware that these isolated moments in the suburban landscape were rich with metaphor. Closed and open doors, empty parking lots and forgotten swimming pools drew me to a scene; yet it was my reactions to these objects and spaces that elicited interpretation and projection.

"As a psychotherapist, I learned the art of asking the question – in many ways, these photographs are an extension of that work. The symbols and spaces in my images are an invitation to explore a rich world that is concealed from consciousness. And the scenes are an enticement to contemplate narratives that have no remarkable life or history yet tap into something deeply familiar to our experience; often disturbing, sometimes amusing…unquestionably present."

September 1-30, 2025 Cazenovia Artisans 39 Albany Street
Cazenovia Artist Reception: September 5 from 5-7 p.m.

Aquatint is a printmaking technique that produces tonal effects by using acid to etch into the printing plate, creating sunken areas that hold the ink.

“Sometimes new art forms fall right into your lap. I learned intaglio techniques, including etching and aquatinting, while working at Hamilton College. Hired as an assistant in the printmaking studio, I soon realized what a fun challenge it would be to delve into this somewhat antiquated artform, mixing science with art. Over the next four years, I invested in my own printmaking studio - learning with each accident, mistake and oops. The thrill of etching is pulling the first print to see if all those layers, lines and tones come together at long last.”