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Aisha Harris

Aisha Harris is a host of Pop Culture Happy Hour.

From 2012 to 2018, Harris covered culture for Slate Magazine as a staff writer, editor and the host of the film and TV podcast Represent, where she wrote about everything from the history of self-care to Dolly Parton's (formerly Dixie) Stampede and interviewed creators like Barry Jenkins and Greta Gerwig. She joined The New York Times in 2018 as the assistant TV editor on the Culture Desk, producing a variety of pieces, including a feature Q&A with the Exonerated Five and a deep dive into the emotional climax of the Pixar movie Coco. And in 2019, she moved to the Opinion Desk in the role of culture editor, where she wrote or edited a variety of pieces at the intersection of the arts, society and politics.

Born and raised in Connecticut, she earned her bachelor's degree in theatre from Northwestern University and her master's degree in cinema studies from New York University.

  • The characters in the romantic comedy Materialists, Celine Song's follow-up to Past Lives, see the dating pool in terms of the "market" – people are evaluated by how "competitive" they are and marriage is treated like an equation to be solved.
  • Every generation gets its versions of a "20-somethings hang out and make mistakes" sitcom, such as Living Single, Friends, New Girl and Broad City. Now Gen Z's got the FX/Hulu series Adults. The silly new series is about a group of friends cohabitating in Queens, New York and it makes for fun and possibly all-too-relatable TV fodder. To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
  • Succession creator Jesse Armstrong is back with Mountainhead, a new movie with characters who are just as wealthy, powerful, and insecure as the Roy family. Steve Carell, Jason Schwartzman, Ramy Youssef and Cory Michael Smith star as four tech moguls gathering for a low-key guys' weekend of poker. But business and unchecked, overinflated egos quickly lead them all down a very dark path. To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture.
  • Online discourse has become a fun part of enjoying and dissecting big pop culture events. But after seeing all the commentary around Ryan Coogler's Sinners, our pal Brittany Luse has one question: are we in a media literacy crisis? Difference of opinion is one thing, but it feels like some viewers are missing important clues or misreading the film entirely - and it doesn't stop with Sinners. Today we've got an episode of the podcast It's Been A Minute that explores what this could mean for the way we engage with the world at large.
  • The new Lilo & Stitch is mostly live-action and retells the original Disney animated film's story of two orphaned Hawaiian sisters and the chaotic alien who upends their lives. The movie deviates from the original in many ways, but the central story is a tale of sisterhood and found family with lots of rowdy chaos along the way. The cast includes Maia Kealoha, Sydney Elizebeth Agudong, Zach Galifianakis, and Chris Sanders returns as the voice of Stitch. In honor of Toy Story's 30th anniversary, we're ranking the Pixar movies. What do you think is the best Pixar feature? Vote now! We'll talk about the results in an upcoming episode. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
  • In Mission: Impossible – The Final Reckoning, Tom Cruise has to save the world (again). But this time, as the movie stresses repeatedly, the stakes are really, really high. Higher than the buildings Tom sprints across or the planes he fights bad guys on. There's an AI that wants to destroy humanity, and Tom and his allies try to pull off the feat of all our lifetimes. Will he? Does it even matter? It's Tom Cruise doing Tom Cruise things in London, the Bering Sea, and beyond. In honor of Toy Story's 30th anniversary, we're ranking the Pixar movies. What do you think is the best Pixar feature? Vote now! We'll talk about the results in an upcoming episode. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
  • Online discourse has become a fun part of enjoying and dissecting big pop culture events. But after seeing all the commentary around Ryan Coogler's Sinners - one of the biggest cultural juggernauts of the year - Brittany has one question: are we in a media literacy crisis? Difference of opinion is one thing, but it feels like some viewers are missing important clues or misreading the film entirely - and it doesn't stop with Sinners. To help work through this, Pop Culture Happy Hour's Aisha Harris and Code Switch's B.A. Parker join the show to figure out what this could mean for the way we engage with the world at large.
  • The movie ends, and the credits roll. That used to be your cue to start heading to the parking lot to debrief with your friends. That was before the era of the post-credits scene, which often teases the next installment, or offers one last joke or thrill that you'll miss if you don't stick around. But is it really worth it to stick around? Today we're talking about the state of the post-credits scene, including Sinners, Pixar and Marvel movies, and more.
  • In this week's installment of Cineplexity, NPR staffers contemplate the best director-actor collaborations in film.
  • It's not easy being a teenager in love. The hormones are raging, the parents are parenting, and the pressure is on to figure out life after senior year. Judy Blume tackled this in her 1975 novel Forever. It's now been reminaged as a Netflix series centering on a pair of Black high schoolers from showrunner Mara Brock Akil (Girlfriends). And it thoughtfully captures the pangs and joys of young romance in a modern context. To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.