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  • Dinaw Mengestu's How to Read the Air is an unsentimental meditation on the immigrant experience and the illusory idea of asylum. With lyrical prose, he reassesses the by-your-bootstraps mythology associated with American mobility.
  • Thriller writer Richard North Patterson knows about engrossing political dramas — he served as the SEC liaison to the Watergate special prosecutor. As his favorite thriller, he recommends Allen Drury's Pulitzer Prize-winning Advise and Consent, a political novel that still rings true after 50 years.
  • General Motors' former leadership was "appalling" and the company had no idea how much cash it had on hand, the Obama administration's former "car czar" says. In his new book, Steven Rattner offers an insider's perspective on the government's ultimately successful efforts to rescue GM and Chrysler from failure.
  • In their seven-year love affair with Interstate 95, Stan Posner and Sandra Phillips-Posner have found the best Polish sausage, Berger cookies and a battleship you can spend the night on.
  • Vic Armstrong has made a career out of jumping from helicopters, falling off horses and leaping from trains — and he's got the scars to prove it. He tells stories from his long career on set in The True Adventures Of The World's Greatest Stuntman.
  • A Pakistani immigrant and an Irish-born grandmother fall in love in a bleak English town in this sunny and upbeat film. Ali & Ava is a lovely, charming surprise.
  • Rudy Giuliani helped lead efforts to try to reverse the 2020 election loss of former President Donald Trump. Giuliani's attorneys say he is the target of the Georgia investigation.
  • NPR's Juana Summers talks with astrophysicist Avi Loeb about his plan to retrieve fragments of a potential interstellar meteor from the ocean floor.
  • Will Toledo makes smart guitar-pop music for loners and weirdos. Teens Of Style reworks 11 songs from the self-aware 22-year-old's already-vast catalog.
  • The singer takes a loving look back at the '70s and '80s pop that helped shape her. Along the way, without grandstanding, Krall strips away the baggage of the original performers' iconic personas.
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