Before becoming a podcaster, Jennifer Welch had a successful career as an interior designer and co-starred in a reality show on Bravo. But, since 2022, she and Angie Sullivan, her co-host on the podcast “I’ve Had It,” have gained millions of fans as a sounding board for left-leaning political frustrations. These aren’t only concerns about MAGA but also about the Democratic establishment that she views as captive to a corporate agenda. Welch talks with David Remnick about her contentious interviews with Cory Booker and Rahm Emanuel, her belief in “dark woke,” and how a white Oklahoma woman in her fifties emerged as one of the most provocative voices on today’s left.

Prenups have gone from a tool of the ultra-wealthy, carrying a whiff of scandal, to a more widespread request for aspirational young couples with few assets. Wilson spoke with celebrity divorce attorney Laura Wasser, and found that generations who grew up in the era of universal no-fault divorce “just don’t trust marriage” as their elders did; “they want it in writing,” and they have developed apps that make it easy. Clauses calling for nondisparagement on social media are a common feature. But the boom in prenups, Wilson tells David Remnick, has led to couples trying to negotiate even intimate issues such as frequency of sex and body-mass index. Jennifer Wilson’s “Why Millennials Love Prenups” appeared in the December 29, 2025 & January 5, 2026 issue of The New Yorker.

U.S. intervention in other countries, whether overt or covert, is by no means new, and Daniel Immerwahr notes that the open embrace of expansionism by the President and associates such as Stephen Miller goes back to the nineteenth century. Immerwahr is a professor at Northwestern University and the author of the 2019 best-seller “How to Hide an Empire: A History of the Greater United States.” He discusses Trump’s disdain for international law; tensions between the U.S. and Russia and China; and the historical link between imperialism and appeals to masculine pride.

Since she reëmerged as a star in the 2024 film “The Substance,” Demi Moore has been very busy. She has a major role in the current season of Taylor Sheridan’s “Landman” series, and she has two highly anticipated films coming out this year: a science-fiction film directed by Boots Riley, and “Strange Arrivals,” alongside Colman Domingo, about a couple who claimed to have been abducted by aliens. She sat down at The New Yorker Festival in the fall with the staff writer Jia Tolentino to discuss her varied career and how she has dealt with the pressures of the industry.This episode was recorded live at The New Yorker Festival, on October 25, 2025. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

For roughly half a century, the singer Rubén Blades has been spreading the gospel of salsa music to every corner of the globe. “You could say that Blades did for salsa what Bob Marley did for reggae,” says The New Yorker’s Graciela Mochkofsky. “He brought it into the global consciousness.” This year, Blades’s record “Fotografías” is up for a Grammy Award; should he win, it would be his thirteenth. Blades once ran for President of Panama and later served in the country’s cabinet; he’s also notable for bringing social commentary to the dance floor, from his earliest work to the recent “Inmigrantes,” a song about the impact of the climate crisis on refugees. And yet, he tells Mochkovsky, songwriters should beware of political messages. “Political songs are propaganda by definition. If you start singing about political ideology, you’re not an artist—you’re doing propaganda, basically. I try to be as close to a newspaper [reporter] as I can.”This segment originally aired on October 6, 2023.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Thirty years ago, David Remnick published “The Devil Problem,” a Profile of the religion scholar Elaine Pagels—a scholar of early Christianity who had also, improbably, become a best-selling author with “The Gnostic Gospels,” from 1979. Pagels’s latest book, “Miracles and Wonder: The Historical Mystery of Jesus,” is a summation of her lifetime of research on Christianity, as it takes on some of the central historical controversies of Christianity, including the stories of immaculate conception and the resurrection. She tells Remnick how she found and lost faith in the evangelical movement, but retained a lifelong interest in religion. “I have a sense that what we think of as the invisible world,” she feels, “has deep realities to it that are quite unfathomable.”This segment originally aired on March 28, 2025.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Across the country, data centers that run A.I. programs are being constructed at a record pace. A large percentage of them use chips built by the tech colossus Nvidia. The company has nearly cornered the market on the hardware that runs much of A.I., and has been named the most valuable company in the world, by market capitalization. But Nvidia’s is not just a business story; it’s a story about the geopolitical and technological competition between the United States and China, about what the future will look like. In April, David Remnick spoke with Stephen Witt, who writes about technology for The New Yorker, about how Nvidia came to dominate the market, and about its co-founder and C.E.O., Jensen Huang. Witt’s book “The Thinking Machine: Jensen Huang, Nvidia, and the World’s Most Coveted Microchip” came out this year. This segment originally aired on April 4, 2025.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The Republican Susan Collins has held one of Maine’s Senate seats for nearly thirty years, and Democrats, in trying to take it away from her, have a lot at stake. Graham Platner, a combat veteran, political activist, and small-business owner who has never served in office, seemed to check many boxes for a progressive upstart. Platner, who says he and his wife earn sixty thousand dollars a year, has spoken passionately about affordability, and has called universal health care a “moral imperative.” He seemed like a rising star, but then some of his past comments online directed against police, L.G.B.T.Q. people, sexual-assault survivors, Black people, and rural whites surfaced. A photo was published of a tattoo that he got in the Marines, which resembles a Nazi symbol, though Platner says he didn’t realize it. He apologized, but will Democrats embrace him, despite ugly views in his past? “As uncomfortable as it is, and personally unenjoyable, to have to talk about stupid things I said on the internet,” he told David Remnick, “it also allows me to publicly model something I think is really important. . . . You can change your language, change the way you think about stuff.” In fact, he frames his candidacy in a way that might appeal to disappointed Trump voters: “You should be able to be proud of the fact that you can turn into a different kind of person. You can think about the world in a different way.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Gabrielle Calvocoressi’s most recent collection, “The New Economy,” was a finalist for the National Book Award for Poetry this year, and one of their poems was included in “A Century of Poetry in The New Yorker,” an anthology volume published this year on the occasion of the publication’s hundredth anniversary. The magazine’s poetry editor, Kevin Young, spoke with Calvocoressi about their creative process, how poetry can help with grief, and the inspirations behind their work. This segment mentions suicide and suicidal thoughts. If you are having thoughts of suicide, call or text 988 or chat at 988Lifeline.org.

In the course of his long career, Leon Panetta was a lieutenant in the Army, a congressman from California, Bill Clinton’s White House chief of staff, Barack Obama’s director of the C.I.A., and later, his Secretary of Defense. David Remnick talks with Panetta about the current Secretary of Defense, Pete Hegseth, the legality of the ongoing Navy strikes targeting civilian boats off the coast of Venezuela, and the problem with using the military as “the President’s personal toy.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

This year marked a hundred years since the birth of The New Yorker, and a documentary about the magazine’s past and present, “The New Yorker at 100,” is now streaming on Netflix. The director is the Academy Award winner Marshall Curry, and Judd Apatow served as an executive producer. They sat down to talk about the process behind the film with Jelani Cobb, a longtime staff writer for the magazine and the dean of the Columbia Journalism School. The trio discussed how they approached depicting a century of journalism history on film, their own relationships to The New Yorker, and what makes David Remnick so hard to interview. This interview took place at the 2025 New Yorker Festival.

Chloé Zhao was the second woman to ever win an Oscar for Best Director, for her 2020 film “Nomadland.” After taking a wide turn to create the Marvel supernatural epic “Eternals,” Zhao has taken another intriguing change of direction with “Hamnet,” based on Maggie O’Farrell’s novel about how William Shakespeare coped with the death of his only son. In conversation with the New Yorker staff writer Michael Schulman, Zhao discusses the role that nature plays in her filmmaking, from the American West to the forests of Britain; the process of adapting manga to film; and how neurodivergence informs her creative process.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.