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How Israel is using facial recognition in Gaza

Palestinians walk along Salah al-Din Road in Deir Al-Balah, in the central Gaza Strip.
NurPhoto
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Getty Images
Palestinians walk along Salah al-Din Road in Deir Al-Balah, in the central Gaza Strip.

After the Hamas-led attack of Oct. 7 triggered Israel's invasion of the Gaza Strip, hundreds of thousands of Palestinians began fleeing from the North of Gaza to the South. As they fled, many Palestinians reported passing through checkpoints with cameras. Israel had previously used facial recognition software in the West Bank, and some Palestinians reached out to The New York Times reporter Sheera Frenkel to ask if she could investigate whether they were also using it in Gaza.

Frenkel found that Israel had launched a new facial recognition system in Gaza late last year with the help of private companies – and Google photos. Google was unaware its technology was being used in this way until Frenkel reached out to the organization for comment. Frenkel also found that the technology was initially used to search for Israelis who were taken by Hamas on Oct. 7, and has increasingly been used to search for members of Hamas and other militant groups. Frenkel's reporting shows the software was used to wrongfully detain civilians Israel had misidentified as Hamas militants.

Read Frenkel's full article.

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Today's episode was produced by Rachel Carlson and edited by Rebecca Ramirez. Rachel and Geoff Brumfiel checked the facts. Gilly Moon was the audio engineer.

Copyright 2024 NPR

Geoff Brumfiel works as a senior editor and correspondent on NPR's science desk. His editing duties include science and space, while his reporting focuses on the intersection of science and national security.
Rachel Carlson
Rachel Carlson (she/her) is a production assistant at Short Wave, NPR's science podcast. She gets to do a bit of everything: researching, sourcing, writing, fact-checking and cutting episodes.
Rebecca Ramirez (she/her) is the founding producer of NPR's daily science podcast, Short Wave. It's a meditation in how to be a Swiss Army Knife, in that it involves a little of everything — background research, finding and booking sources, interviewing guests, writing, cutting the tape, editing, scoring ... you get the idea.
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