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The debt limit, the origins of the X Date, and why it all matters

Jemal Countess
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Getty Images for the Peter G. P

Note: A version of this episode first ran in 2023.

Every year, the U.S. government spends more money than it takes in. In order to fund all that spending, the country takes on debt. Congress has the power to limit how much debt the U.S. takes on. Once we reach that limit, Congress has a few options so that the government keeps paying its bills: Raise the debt limit, suspend it, or eliminate it entirely.

Which is daunting, because if lawmakers don't figure something out in time, the ramifications for the global economy could be huge.

Shai Akabas, of the Bipartisan Policy Center, has become something of the go-to expert in calculating the exact date America would hit the wall and not be able to pay all its debts. This day is so terrifying it has a special name, the X-Date.

Today's episode is about how Akabas and Jay Powell — long before he became chair of the Federal Reserve — worked to create a system to determine the X-Date with the hope of helping us all never reach it.

We also have an update on this year's looming X-Date, which could arrive as soon as this summer.

This original episode of Planet Money was produced by Sam Yellowhorse Kesler with help from Alyssa Jeong Perry. And engineered by Josh Newell and fact-checked by Sierra Juarez. It was edited by Jess Jiang.

Today's update was produced by James Sneed, engineered by Jimmy Keeley and edited by our executive producer Alex Goldmark.

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Music: "Euphoria Funk" "Darkman X" and "Invincible."

Copyright 2025 NPR

Amanda Aronczyk (she/her) is a co-host and reporter for Planet Money, NPR's award-winning podcast that finds creative, entertaining ways to make sense of the big, complicated forces that move our economy. She joined the team in October 2019.
Nick Fountain produces and reports for Planet Money. Since he joined the team in 2015, he's reported stories on pears, black pepper, ice cream, chicken, and hot dogs (twice). Come to think of it, he reports on food a whole lot. But he's also driven the world's longest yard sale, uncovered the secretive group that controls international mail, and told the story of a crazy patent scheme that involved an acting Attorney General.
Jess Jiang is the producer for NPR's international podcast, Rough Translation. Previously, Jess was a producer for Planet Money. In 2014, she won an Emmy for the team's T-shirt project. She followed the start of the t-shirt's journey, from cotton farms in Mississippi to factories in Indonesia. But her biggest prize has been getting to drive a forklift, back hoe, and a 35-ton digger for a story. Jess got her start in public radio at Studio 360—though, if you search hard enough, you can uncover a podcast she made back in college.
Sam Yellowhorse Kesler is an Assistant Producer for Planet Money. Previously, he's held positions at NPR's Ask Me Another & All Things Considered, and was the inaugural Code Switch Fellow. Before NPR, he interned with World Cafe from WXPN. He graduated from the University of Pennsylvania, and continues to reside in Philadelphia. If you want to reach him, try looking in your phone contacts to see if he's there! You'd be surprised how many people are in there that you forgot about.
James Sneed
James Sneed began his career at NPR as Planet Money's Winter 2020 intern. Previous to that, Sneed worked at KBOO Community Radio and attended the Transom Story Workshop. His other professional experience includes Open Signal Media Center, KSMoCA and MASS MoCA. Currently, Sneed is an associate producer with Planet Money where he has produced stories about a comic book character from the public domain, the business of Black joy and the Christmas tree market — as well as reported on the racial wealth gap, the NCAA at the Supreme Court and why the New York Mets don't always Mets everything up... necessarily.
Alex Goldmark is the senior supervising producer of Planet Money and The Indicator from Planet Money. His reporting has appeared on shows including Morning Edition, All Things Considered, Radiolab, On The Media, APM's Marketplace, and in magazines such as GOOD and Fast Company. Previously, he was a senior producer at WNYC–New York Public Radio where he piloted new programming and helped grow young shows to the point where they now have their own coffee mug pledge gifts. Long ago, he was the executive producer of two shows at Air America Radio, a very short term consultant for the World Bank, a volunteer trying to fight gun violence in the favelas of Rio de Janeiro, and also a poor excuse for a bartender in Washington, DC. He lives next to the Brooklyn Bridge and owns an orange velvet couch.
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